The Substance (2024)

In Coralie Fargeat's new feminist terror movie The Substance, dangerous popular beauty criteria are actually the true monsters. They (female objectification, the disposal of "the aged," the spreading of an industry built on body adjustment) supply a monster of a cycle that leads Demi Moore's fading TV individual character Elisabeth Shimmer to c

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Examine This Report on Deborah Harry sexy

“While in the 70s, there was a lot more innocence. It was about own identification, it wasn’t almost funds”: how Blondie’s Debbie Harry went from punk icon to rock survivor This effects nowadays in the thousand thoughts in addition to a thousand polite, concise answers, but every so often a random pursuit of absurd detours results in

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